reminders of Berger

11/03/2013

ambiguity arises not from the first message   but from the second, the disconinuty from the moment recorded and the moment of looking p89

 "All photographs are ambiguous " p 91
disconinuity always produces ambiguity, sometimes not obvious.
photograph beg for an interpretation, which words usually supply

The photograph, irrefutible as evidence but weak in meaning, is given a meaning by the words
 POWERFUL TOGETHER

"could this ambiguity suggest another way of telling?"

representation "is indeed like a trace" p93
'the material relation between the image and what it represents (between the marks on the printing paper and the tree these marks represent) is an immediate and unconstructed one' p93 b4

 "in itself the photograph cannot lie, but, by the same token, it cannot tell the truth; or rather, the truth it does tell , the truth it can by itself defend is a limited one." p97

p116 - 'it was a rationalist illusion to beleive that in dispensing with religion, mysteries would be reduced. What has happened, on the contrary, is that mysteries multiply. Merleau-Ponty wrote:'
    We must take literally what vision teaches us, namely that through it we come in contact with the sun and the stars, that we are everywhere all at once, and that even our power to imagine ourselves elsewhere... borrows from vision nd employs means we owe to it. Vision alone makes us learn that beings that are different, "exterior", foreign to one another, are yet absolutely together, are "simultaniety"; this is a mystery psychologists handle the way a child handles explosives. """"


"In every act of looking there is an expectation of meaning. This expectation should be distinguished from a desire for an explanation. The one who looks may explain aftewards; but, prior to any explanation, there is the expectation of what appearances themselves may be about to reveal." p117







photographs are a way to show that an event has occurred, but does not have the capacity to explain why, how, or what feelings were involved. 

http://blog.lib.umn.edu/wardx278/1300/2007/10/appearances_john_berger.html





Simon Johnson www.thephilosophicalphotographer.co.uk

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